Thomas Porcello delves into the creation and distribution of music in his 1991 article “The Ethics of Digital Audio Sampling”. The article reveals the far-reaching effects of technological advances on music creation, particularly the tension between copyright and artistic freedom, and Porcello emphasizes that digital audio sampling technology has allowed for greater flexibility and diversity in music creation. By sampling and mixing existing audio material, musicians can create entirely new musical compositions. However, this technology also raises new questions about originality and copyright, and Porcello suggests that digital audio sampling often involves the unauthorized use of fragments of other people’s works, which can infringe on the copyrights of the original authors and lead to legal disputes. Porcello also discusses the impact of digital audio sampling on the music industry. He points out that sampling technology has challenged the traditional notion of music creation, making “originality” even more ambiguous. In this context, the music industry needs to rethink the balance between copyright protection and music creation. He argued that the formulation of reasonable copyright laws and regulations could protect the rights and interests of original creators while encouraging innovation and freedom of artistic expression. He also discussed the impact of sampling technology on music culture. Sampling technology has not only changed the way of music creation but also affected the mode of music dissemination and consumption. Through sampling, musical elements from different cultural backgrounds have been intermingled to create new forms of music with multicultural characteristics. This phenomenon promotes cultural exchange to a certain extent, but it can also lead to problems of cultural appropriation and abuse. He calls on musicians, copyright holders, and policymakers to work together to find solutions that balance innovation with the protection of originality. This article is not only important for understanding the ethical issues of digital audio sampling but also provides valuable perspectives for thinking about the future of music creation and copyright protection. Through reading this article, I have become more aware of the delicate balance between respecting originality, protecting copyright, and encouraging innovation in the context of rapid technological development.